Installation

Top quality, high end installed condenser microphone with a wide dynamic range and extended frequency response. JS-22MXC Capsule ensures every sound is heard. 12" Gooseneck

Top quality, high end installed condenser microphone with a wide dynamic range and extended frequency response. JS-22MXC Capsule ensures every sound is heard.

(Includes Gooseneck)

The CS-4 is an 4 Channel automatic microphone mixer. Full feature design includes : Daisy-chain with unlimited numbers of the mixer. Three operation modes: one-channel-at-a time, all active or override. Switchable inputs accept microphones or line level devices .Switchable output levels between mic. and line level. Individual gain control and phantom power for each channel. Last In stays on for continuous ambience sound. Control voltage provided to trigger external device such as speaker switching and camera switching

The CS-8 is an 8 Channel automatic microphone mixer. Full feature design includes : Daisy-chain with unlimited numbers of the mixer. Three operation modes: one-channel-at-a time, all active or override. Switchable inputs accept microphones or line level devices .Switchable output levels between mic and line level. Individual gain control and phantom power for each channel. Last In stays on for continuous ambience sound.Control voltage provided to trigger external device such as speaker switching and camera switching

1m Extension cable to connect and cascade CS-1 & CS-8 Mixers

12” Gooseneck terminated with Male XLR and Female XLR at each end.

18” Gooseneck terminated with Male XLR and Female XLR at each end.

The MA-123 provides -10dB, -20dB or -30dB attenuation to prevent overload of sensitive input stages. Full metal case optimizes shielding to reduce hum. Designed for balanced low-Z microphones. Passes phantom power.

The MA-250K Matches a low-impedance microphone to a high-impedance input. This allows use of long microphone cables. Maintains high-frequency response. Reduces noise pickup. Provides 21dB of voltage gain. Input Connector: XLR-Female. Input Impedance: 250? Output Connector: 6.3 TS Jack plug. Output Impedance: 50K?

The MA-500 is a clever little adaptor that allows you to connect a standard 3 pin XLR from an input with phantom power to a JTS 4 pin mini XLR condenser microphone. PAD (-10dB) and Low Cut (100Hz -6dB 400Hz -4dB) switches. Can be powered by JTSÂ’s PS-1, Phantom Power Supply or 48V phantom power from other devices.

The MA-HPF is a very useful adaptor featuring an XLR (Female) input and on the other end an XLR (Male) output. This High pass filter is designed for 150 Ohm rated microphones and inputs. Perfect to reduce unwanted noise at low end in the microphone signal. Provides low cut of 12dB per octave below 100Hz. Slender, in-line design. Full metal case optimizes shielding to reduce hum. Passes through phantom power from the input.

The MA-PRS Provides instant selection of normal or reversed phase of a balanced line without modification of equipment. A switch reverses polarity of pins 2 and 3 in a balanced line. Slender, in-line design with XLR (Female) to XLR (Male) configuration and may be used in reverse. Full metal case optimizes shielding to reduce hum.

The MA-SW is a Microphone Adaptor Switch. This inline adaptor switch is symetrical. Being symentrical it can work in either direction. For use with dynamic microphones. If used with microphones with phantom power please note this switch does not switch of the phantom power.

This very handy XLR-USB adaptor allows dynamic or condenser microphones to be digitally recordeded. This excellent solution allows the user to plug headphone directly into the adapter and, with volume controls, balance the volume between the microphone and playback audio. UIsing this method irradicates the problem of latency between the source and the playback.

A standard female XLR to a 4 pin mini XLR cable. Ideal for connecting the output of PS-500/PS-510M to a body pack transmitter

Our handy JTS PS-500 is a 9V battery operated phantom power supply with two mini XLR(M) inputs and one XLR(M) output. It works as a mini mixer for JTS CX and CM series condenser microphones with volume controls for input channels 1 & 2. A Mic/Line switch also allows mixing of Line signals.

Our handy JTS PS-510M offers the facilities of the PS-500 with a 9V battery operated phantom power supply with two mini XLR(M) inputs and one XLR(M) output but also adds a headphone monitor output in order that the musician can here the mix before sending to the PA.

The 'T' version of our most popular FGM microphones brings studio class performance to the stage. It boasts the same multi use as our standard FGM model but with a premium quality 1/2" gold plated capsule. This is perfect where every nuance of the audio needs to be captured at source. 

The FGM 62T has a stand length of up to 62cm and a carbon boom length of 1.2m which aids accurate placement and the full size XLR termination allows the use of standard XLR's for onward connection.

Multi use includes choirs, front of stage pick up for productions, any instrument spot micing, speech as well as operatic performances.

*PHANTOM POWER REQUIRED*

The CM-502 is an Overhead hanging electret microphones for suspended installations, especially suitable for applications in which a direct microphonic effect is undesired for optical or operational reasons, e.g. sound pickup of choirs or on theatre stages or school stages Microphone cartridge with supercardioid polar pattern. Easy installation and alignment due to supplied mounting plate for ceiling suspension and spring holder.Supplied with windshield. requires 48V phantom power. Black

Our ever popular CM-502 installed sound and choir microphone is now available with a rigid mounting system for easy installation. Available in Black or White

Extremely small and discrete Omni-Directional boundary microphone able to be mounted into a table or wall. Perfect for conference, installed sound or surveillance. Available in Black or White finish

Extremely small and discrete Uni-Directional boundary microphone able to be mounted into a table or wall. Perfect for conference, installed sound or surveillance. Available in Black or White finish

The CM-601 is a semi-cardiod Electret boundary microphone. features Configurable push-button (Push To Talk, Push To Mute or switching function) Standby LED. Elastic cartridge suspension for preventing impact sound and structure-borne noise. For theatrical performances, discussions, conferences and in churches. Requires Phantom power supply DC 48 V. Supplied With 6 m connection cable, 3-pole XLR

The CM-602 is a semi-cardiod Electret boundary microphone. features On/off switch with power LED.. Elastic cartridge suspension for preventing impact sound and structure-borne noise. Requires Phantom power supply DC 48 V. Supplied With 6 m connection cable, 3-pole XLR

The CM-602 USB is a semi-cardioid Electret boundary microphone, with USB port. On/off switch with power LED. Elastic cartridge suspension for preventing impact sound and structure-borne noise. Supplied Wwth 1.8 Metre USB connection cable.

The CX-509 is a low profile condenser instrument microphone.For sound pickup of hi-hats/cymbals as well as various percussion instruments and acoustic instruments, e.g. guitars/violins, flutes or choir voices.Unobtrusive positioning due to small dimensions Robust body with standard XLR input. Requires phantom power.Supplied with microphone holder

The FGM 170 is the perfect multi use microphone. With 3 interchanegable capsules, a higher stand length of up to 170cm and a carbon length of 1.2m it is the workhorse of many schools, House Of Worship, rental and touring companies where mic pickup of speech, singing, instruments, overheads, choirs or orchestras is required.

Supercardioid capsule for FGM-62 & FGM-170 Carbon Boom Microophone

The FGM-170T Carbon brings studio quality sound to PA. The "T" in the model number denotes that it utilises the JS-22MXC capsule. The special capsule is built on a solid brass with accurate processing. The 1/2” golden plated diaphragm is manually assembled by JTS craftsman. supplied with standard mic stand. Requires 36-52V DC phantom power. Perfect for vocals, acoustic instruments, piano and woodwind .

The FGM 62 is the perfect multi use microphone. With 3 interchanegable capsules, a stand length of up to 62cm and a carbon length of 1.2m it is the workhorse of many schools, House Of Worship, rental and touring companies where mic pickup of speech, singing, instruments, choirs or orchestras is required.

Freplacement cable for FGM Carbon Microphone

Wireless kit consisting of 1 x PVC Leather Pouch, 1 x 1m cable terminated 3pin mini XLR - 4 pin mini XLR for connection to an optional JTS wireless body pack system.

Simply add a JTS Body Pack system to make the FGM Carbon mic wireless

Replacement boom holder for FGM Carbon Boom Microphone

Replacement stand for FGM Carbon Microphone

The JTS GM-Series of goosenecks provide the perfect solution for distance micing with outstanding feedback rejection.

The JTS GM-Series of goosenecks provide the perfect solution for distance micing with outstanding feedback rejection.

The GM-5212C is an 12"/ 468mm Gooseneck condenser gooseneck microphone. Features a 5/8” - standard 27mm thread mic stand adapter for mounting on a mic stand or a mic mounting flange for podium mounting and feature a side exit cable with a XLR(M) connector. Foam Windscreen provided for shielding against wind noise and "popping". 3 pin XLR requires 48V phantom power.

The GM-5212 is an 12"/ 468mm Gooseneck condenser gooseneck microphone. Foam Windscreen provided for shielding against wind noise and "popping". 3 pin XLR requires 48V phantom power.

The GM-5212 is an 12"/ 468mm Gooseneck condenser gooseneck microphone. Foam Windscreen provided for shielding against wind noise and "popping". 3 pin XLR requires 48V phantom power. This 'K'version is equiped with a locking mechanism to the XLR connector

The GM-5212SW is a 12" Gooseneck microphone with a built in Led illuminated on / off switch. Ideal for flush mounted bases where you require a simple on/off solution. Electret Condenser design. Frequency Response 80-18,000Hz. Requires 48V phantom power.

The GM-5212T utilises the JS-22 MXC, our newest and most acurate 1/2" gold plated diaphragm, to give studio quality audio in a live application. 20Hz-20KHz frequency response and a Cardioid pickup pattern make this the perfect choice for any vocal or instrument amplification. 36v-48v Phantom Power required.

The JTS GM-Series of goosenecks provide the perfect solution for distance micing with outstanding feedback rejection.

The GM-5212SW is a 18" Gooseneck microphone with a built in Led illuminated on / off switch. Ideal for flush mounted bases where you require a simple on/off solution. Electret Condenser design. Frequency Response 80-18,000Hz. Requires 48V phantom power.

The GM-5212T utilises the JS-22 MXC, our newest and most acurate 1/2" gold plated diaphragm, to give studio quality audio in a live application. 20Hz-20KHz frequency response and a Cardioid pickup pattern make this the perfect choice for any vocal or instrument amplification. 36v-48v Phantom Power required.

The JTS GM-Series of goosenecks provide the perfect solution for distance micing with outstanding feedback rejection.

Professional gooseneck presenting microphone supplied with 3 interchangeable capsules, Cardioid, Super-Cardioid and Omni -Directional.

Professional gooseneck presenting microphone supplied with 3 interchangeable capsules, Cardioid, Super-Cardioid and Omni -Directional.

The JS-22 is our most versatile microphone giving incredibly accurate reproduction for any instrument or vocal application. It is built on a solid brass capsule with accurate processing. The 1/2" gold plated diaphragm is manually assembled by JTS craftsman. The precise designed circuit with low cut and pad feature provides a flat response. This microphone faithfully reproduces any kinds of instruments and vocals.

High performance capsule for FGM-62T & FGM-170T Carbon boom microphone (Gooseneck not included)

Wireless handheld microphone for WA-35

The PMM-4 is ideal as a compact personal monitor mixer for meeting rooms, Houses of Worship, broadcast and educational public address systems. Four inputs with XLR 1/4” phone jack combo connecter. It has two additional auxiliary inputs and four XLR split outputs.

The JTS SGM-14 'shotgun' microphone. Ideal for outdoor recording and other specialised uses, the hypercardioid, electret-condenser SGM-14 provides the narrow acceptance angle required for these applications and comes with both low cut and pad facilities included. Operating on 9-48 V DC phantom power, the 366.7 mm long SGM-14 is built to the usual rugged JTS professional standard and comes complete with a windscreen and mic holder.

The ST-5000 is an all in one Desktop Microphone and base. Designed with simplicity of installation and use in mind. 368mm Supercardioid pick up pattern Gooseneck microphone. Simple Push ON/Push Off switch. Balanced XLR male output. LED indicator. Requires Phantom power

Universal Gooseneck Microphone Base

The ST-5050i is quick mount die-cast XLR Microphone base. (microphones optional extra). Programmable switch can be set as Push On / Push Off, Push To Talk and Push To Mute. Special anti-slip pad .Selectable switch for all kinds of condenser and dynamic gooseneck microphones. Equipped with battery compartment for 9 Volt battery to provide phantom power 12-48V when Phantom power is not available from your mixer

Shockmount gooseneck connection plate for GM microphones - Solder free wiring

Shockmount gooseneck connection plate for GM microphones with lockable XLR connector - Solder terminals

The ST-5800 gooseneck announcement microphone includes a chime facility which can be programmed to sound before the announcement or before and end of the announcement. Volume for voice and chime can be controlled independently.

The ST-6000 combines a quality Gooseneck condenser microphone with a newly developed heavy metal base which isolates vibration noise whilst the soft touch membrane activation irradicates any switch noise. This is an ideal solution where audio quality and silent useage is paramount.